Friday, April 29, 2016

Weekly Cinemeh

Hello, and welcome back to Weekly Cinemeh. This week we are continuing our quest to fill in gaps with some Hitchcock. Hitchcock is considered to be one of the better directors, and I can see why. He has some great ways of filming scenes and his ability to generate tension is great. I loved this week. To the list!

1: The Birds
I saw this movie when I was in middle school, and it has stuck with me since then. The Birds is an interesting horror movie premise because it takes something that is always in the background and makes it the danger. In the movie Psycho, Norman Bates even says that birds are naturally passive so it makes them seem non-threatening. This is the very basis of what makes good horror, and this was my first real example of that. The scenes where like 500 birds are all standing around, watching, are still chilling to this day. There isn't a bit of soundtrack in the movie, which also makes the bird's screeches stand out more. Though the story seems a little contrived. It's basically a romantic comedy that turns into a horror movie. Tippi Hedren's character is a stalker, no doubt about it, but that's ok because the guy she is stalking wants to bone her. Other than the odd setup, its a good movie, check it out.

Eshi: The Birds is the heartwarming tale of two unhinged fancy people courting disconcertingly over a backdrop of rural bird-murder. Hitchcock does a great job of making the innocuous stupidity of seagulls and turn it into dead-eyed malice. It's kinda like the reverse of Full Metal Jacket, the first bit is pretty banal and dead, much like I image the lives of the characters are, but then half way through it turns into a different movie, one where people get fucked up by egg-laying demons from the sky. I quite enjoyed The Birds in all, definitely give it a shot.

2: Psycho
Psycho starts out as a woman trying to escape after committing a crime. She hides out in a motel and then shit gets crazy. Anthony Perkins makes this movie. Everyone in it is good, but he is great. He's charming, disarming and unsettling all at once, and it makes him one of the best psychopaths in movie history. I also loved the way that Hitchcock used a narration track to show what Janet Leigh's character thought other people thought of her. It is an interesting way of going about showing the turmoil a character is feeling. The movie is tense and full of depth, it is fantastic. I know that this movie is well known for its twist but just in case you haven't seen it I don't want to talk about it here. Watch it.

Eshi: Psycho is kind of a delightful downward spiral. Things consistently get worse for pretty much everyone and it culminates in deep crazy in a way that was revolutionary for the time. As Brian said, Anthony Perkins is the soul of this film, though the fact that he then goes on to be involved in a Hitchcock-free Psycho 2 and 3 is somewhat discouraging. Psycho is a legendary piece of cinema and it deserves it.

3: Rope
I am disappointed in myself for not having seen this movie before. It is fantastic. The movie was shot in only a few long shots/takes (read the IMDB trivia page for some interesting stuff on that) which explains some of the odd shots that they do for transitions. Rope is about two people who kill a man because he is "intellectually inferior" to them. One of the men, who planned the whole thing, decides to throw a party afterwords to flaunt how perfect his crime is. One of the guests that he invites (James Stewart) figures out that something is wrong and spends the rest of the movie piecing the murder together. Jimmy Stewart is great, and plays an amazing character. His monologue at the end of the film is great and adds a good amount of weight to the preceding. John Dall also plays an amazing bad guy, even though he makes some very stupid mistakes. This movie is a great, tense, thriller that you should watch, if you like that kind of thing.

Eshi: This movie could alternately be titled "Pride Cometh Before the Fall" or "Nice Try Asshole". Jimmy Stewart is fucking phenomenal as the keen, misanthropic professor, and his overall chemistry shines with very nearly everyone on set. The whole film is peppered with agonizing shots and dialog as everyone at the party just barely edges around finding out the truth. Fucking masterful, watch it. 

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